Post #6: Being Attentive to Culturally-Sensitive Collections in Special Collection and Archival Spaces
In Ellen M. Ryan’s Identifying
Culturally Sensitive American Indian Material in a Non-tribal Institution
(2014), the accessibility to the contents of a collection pertaining to the Shoshone-Bannock
Tribes of the Fort Hall Reservation in Idaho found within the Special
Collections and Archives of Idaho State University are called into question. This
collection, the “J.A. Youngren Papers,” includes photographs of Shoshone-Bannock
practices such as the “Sun Dance” (a ceremony of the Great Plains tribes) taken
and acquired by the university in the early 20th century without the
consent of Shoshone-Bannock members.[1] In 2013, an undergraduate
student and sun dancer tasked with processing and housing these photographs
took note of the rituals captured within the photographs and the problematic
nature of displaying these photographs online without the consent of tribal
members. He thus brought this concern up to the Head of Special Collections of
ISU and the photos were soon after shown to the Fort Hall Tribal Archivist and its
Ancestral Researcher to configure future accessibility and care of the
collections respectful of the tribes wishes.[2] The outreach shown by the
student and ISU Special Collections staff adheres to positive ethical practices
as it acknowledged the accessibility preferences for the collection Shoshone-Bannock
Tribes whereas the original donor did not. However, if the student researcher did
not notify the Head of the Special Collections of the problematic nature of allowing
open access to these photos without tribal consent, when would this issue have
been brought into light? With an increased understanding of past archival
practices and mistakes such as open access to culturally-sensitive photographs,
archivist can be more active in practicing cation when providing the public access
to these collections in the future. Having extensive knowledge of who donated a
collection and whether the groups mentioned in these collections provided consent
for the measures of access in place can be a good place to start.
[1] Ellen
M. Ryan, Identifying Culturally Sensitive American Indian Material, SAA
Case Studies in Archival Ethics, 2014, https://www2.archivists.org/sites/all/files/AmericanIndianMaterial_CEPC-CaseStudy3.pdf,
2.
[2] Ibid.,
4.
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